Johanna Grawunder, an artist, architect and designer, takes us through her body of work, and shares a highly singular, sophisticated, and fun relationship with colour, materiality and light.
Saturated Space VIII: Johanna Grawunder from Saturated Space on Vimeo.Saturday 26 November 2016
Friday 25 November 2016
Saturated Space VIII: Eric Parry
Eric Parry takes us through his interest in craft and polychromy, telling the story of his collaboration with artist Richard Deacon on the ceramic facade of One Eagle Place, Piccadilly.
Saturated Space VIII: Eric Parry from Saturated Space on Vimeo.Thursday 24 November 2016
Saturated Space VIII: Nicholas Fox Weber
Nicholas Fox Weber discusses the relationships that Joseph and Anni Albers had with colour and Architecture, at Saturated Space VIII, an event at the Architectural Association on the 11th November 2016
Saturated Space VIII: Nicholas Fox Weber from Saturated Space on Vimeo.Wednesday 23 November 2016
Saturated Space VIII: Fiona McLachlan
Mc Lachlan's talk during Saturated Space VIII that we held at the Architectural Association on the 11th November 2016. She reveals colour strategies in architecture that were unearthed and explored in the research for "Colour Strategies in Architecture", which Fiona wrote with co-authors from the Haus der Farbe, Zurich, as well as in the exhibition of the same name at the Architectural Association.
Wednesday 24 August 2016
A Fleeting Glimpse of Heaven
Exclusively for Saturated Space Eleanor Jolliffe unearths the shimmering delights of the material, technical, historical, and experiential story of Byzantine architectural mosaics.
"The golden mosaics of Byzantine churches
hold a particular allure to tourist and pilgrim alike. These timeless
representations of the divine have fascinated viewers for centuries. This paper
considers the manufacture, use and experience of the glass tiles, or tesserae,
used in these mosaics- specifically gold tesserae.
Gold tesserae were used in
ecclesiastical mosaics specifically as a representation of divine light, and,
in collaboration with architectural form and curated lighting were crafted to
inspire spiritual experiences. A modern viewing of these mosaics is vastly
different to a Byzantine viewing and this paper also explores these
differences, and the question of whether tesserae can still hold the same
meaning and significance in the present day."
Friday 29 July 2016
Autospectroscopy
^VW Polo Mark III Harlequin, 1995
There is shiny colour all
around us, lining our streets. Cars are a cross between clothes and buildings -
you wear them as much as inhabit them - and they make a permanent urban fashion
parade. Exclusively for Saturated Space Hugh Pearman, editor of the RIBA Journal, discusses automobile colour as a vehicle of memory and
association.
Monday 28 March 2016
In the Light of a Clear Blue Wall
Exclusively for Saturated Space, Neil Stephen Flannagan tells the story of colour in the spaces of Gallaudet University for the deaf and hard of hearing.
"A dull shade of blue is
spreading on the walls of Gallaudet University. It’s not an official color, but
rather a practical accommodation for its students, who are overwhelmingly Deaf
and so primarily communicate in sign language. This blue provides a comfortable,
clear background to read the hands and faces used to converse. The factors that
make blue special connect race, digital media, and the peculiar rarity of the
color in the human environment. What it implies is a clear functional role for
coloration and a reminder that to be “human-centered,” design must grapple with
troublesome issues of identity and history."
Subscribe to:
Posts (Atom)